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THE LUNEFABLE REVIEW

Super Rich by Doing as You Please

Super Rich by Doing as You Please: The Price of Saying No

Calling off a wedding gives Xu Yun an impossible cash reward. Learning what he actually wants proves more interesting than learning how quickly he can spend it.

Super Rich by Doing as You Please cover

THE SHORT TAKE

An accessible release-of-pressure fantasy whose mother-and-son scenes give sudden wealth a more persuasive emotional purpose than its easy confrontations.

The apartment at the center of the argument

The opening dispute in Super Rich by Doing as You Please begins with wedding expenses and becomes a question of who belongs in the future home. Xu Yun’s mother sold her own house to help purchase the apartment. His fiancée wants her parents to move in while objecting to his mother doing the same. The argument gives his eventual refusal a concrete boundary: he can accept inconvenience for himself, but not what he sees as the exclusion of somebody who has sacrificed for him.

An impossible system then rewards the decision to end the engagement. It is a conspicuously convenient answer to years of compromise, and the book understands the attraction of that convenience. Xu Yun does not have to spend another decade proving that his frustration was justified. A bank notification abruptly removes the financial fear that has made saying no so difficult.

Freedom first appears as a better ride

The first experiment with wealth is pleasingly small. Xu Yun grows tired of waiting for an ordinary car booking and switches to a more expensive service. The driver’s courtesy and the immediate ease of getting where he wants to go register as luxuries in their own right. His system rewards the choice, making everyday impatience part of the fantasy’s engine.

The rules are deliberately more emotional than mathematical. Spending can qualify, but so can a decision rooted in family feeling or standing up to another person. Xu Yun does not fully understand which actions will trigger rewards. That uncertainty is not severe enough to threaten his new security, yet it encourages him to notice the difference between merely buying something and following a desire he previously suppressed.

His mother has plans of her own

The trip to collect Zhang Sujuan gives the premise a warmer dimension. She has packed useful old belongings and is thinking about the marriage and grandchildren she expects to help with. Xu Yun knows those plans have already changed. The awkwardness of withholding the news makes his new confidence less complete than the money might suggest: he can afford the journey, but he still has to explain the destination.

Her first response to the breakup is to blame her own presence and offer to leave. The scene captures a parent treating her comfort as expendable for her child’s future. Later memories of the old family home extend that theme beyond a place to sleep. A house carries a shared past that an upgraded apartment cannot automatically replace. Those moments give Xu Yun something more specific to want than a larger balance or a more impressive entrance.

A manager discovers his leverage has gone

The office scenes deliver the expected pleasure of refusing unpaid overtime. Xu Yun’s manager is prepared to discipline the employee he remembers, while the employee knows he no longer needs to respond as before. Placing his badge on the desk changes the conversation before the lecture can properly begin. It is a clean depiction of how much apparent authority depends on another person’s fear of losing income.

Buying coffee for colleagues provides a second kind of social experiment. Xu Yun has accepted small kindnesses while saving for the wedding; now he can reciprocate. His conspicuous exclusion of the manager adds a petty comic edge. The behavior becomes more calculating as he realizes that continuing the antagonism may produce further rewards. Freedom from pressure begins to generate its own incentives, not all of them especially noble.

The luxury shop avoids the obvious scene

The mall episode is more agreeable than its setup might lead a genre reader to expect. Xu Yun anticipates contempt for his ordinary clothes and instead receives professional service. His unfamiliarity with the environment, the sudden shock of a price and the sales associate’s desire to keep a promising client create enough movement without requiring public humiliation followed by a display of wealth.

Su Mu supplies another perspective on his changed behavior. She knows him through an earlier act of help and responds to his spending with concern rather than immediate dazzlement. The mother’s growing loneliness also introduces a useful complication: solving the original housing dispute does not settle where she will feel at home. Money can restore an option, but it does not choose another person’s preferred life on their behalf.

Generosity and resentment share the reward

The chief limitation is the simplicity of the opposing side. The former fiancée and her friend repeatedly confirm the worst interpretation of their motives, while the manager remains a dependable source of petty obstruction. Xu Yun’s contempt can also slide from a specific grievance into objectifying or transactional ideas about women. That narrows the freedom fantasy, particularly when the story invites readers to accept his indignation more readily than to question his own conduct.

Still, the opening works when a purchase stands for a recognizable emotional change: a comfortable journey, a shared meal, the possibility of returning something his mother thought permanently lost. Begin with the wedding argument if you want the satisfaction of a long-delayed refusal. The more interesting thread afterward is whether Xu Yun can use an inexhaustibly encouraging system to discover a life he values, rather than simply arranging ever more expensive answers to the people who once frustrated him.

Based on chapters 1–8 of the English edition. This is an opening impression, not a full-series verdict. No later plot developments are discussed.

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About the author

Pea Zha Jiang Mian

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